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Andrew George's "masterly new translation" (The Times) of the world's first truly great work of literature
Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world’s oldest epic, predating Homer by many centuries. The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.
The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian. Andrew George’s gripping translation brilliantly combines these into a fluent narrative and will long rank as the definitive English Gilgamesh.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #5760 in Books
- Brand: George, Andrew (EDT)/ George, Andrew (TRN)
- Published on: 2003-04-29
- Released on: 2003-04-29
- Original language: Akkadian
- Number of items: 1
- Dimensions: 7.80" h x .70" w x 5.00" l, .71 pounds
- Binding: Paperback
- 304 pages
Review
"Andrew George has skillfully bridged the chasm between a scholarly re-edition and a popular work”
—London Review of Books
“Humankind’s first literary achievement...Gilgamesh should compel us as the well-spring of which we are inheritors...Andrew George provides an excellent critical and historical introduction.”
—Paul Binding, Independent on Sunday
“This volume will endure as one of the milestones markers...[George] expertly and easily conducts his readers on a delightful and moving epic journey.”
—Samuel A. Meier, Times Literary Supplement
“Appealingly presented and very readably translated...it still comes as an exhilarating surprise to find the actions and emotions of the Sumerian superhero coming to us with absolute immediacy over 30-odd centuries.
—Scotsman
“Andrew George has formed an English text from the best of the tablets, differentiating his complex sources but allowing the general reader a clear run at one of the first enduring stories ever told.”
—Peter Stothard, The Times
“An exemplary combination of scholarship and lucidity...very impressive...invaluable as a convenient guide to all the different strands which came together to produce the work we now call Gilgamesh.”
—Alan Wall, Literary Review
Language Notes
Text: English (translation)
About the Author
Andrew George is Professor of Babylonian at SOAS (the School of Oriental and African Studies) in London. His research has taken him many times to Iraq to visit Babylon and other ancient sites, and to museums in Baghdad, Europe and North America to read the original clay tablets on which the scribes of ancient Iraq wrote.
Most helpful customer reviews
133 of 133 people found the following review helpful.
Exceptionally good verse translation
By Jordan M. Poss
This was the first translation of Gilgamesh that ever really grabbed me. I had waded through plodding, tedious translations (mostly in prose) before, and been left feeling like Assyriologists must be the most bored people in the world.
George's translation, however, is in verse and adds vigor to what appeared to me, for years, to be a bland jumping off point for bigger and better epics of later eras. I flew through this translation, hanging on every word, and was almost sad to see it end.
The notes and critical bits were nice as well, and the numerous lacunae showed me just how little of the full story we really have. Heartbreaking, really, and it made appreciate those bored people I used to pity.
If you're new to The Epic of Gilgamesh and want an engaging, readable verse translation of it, this is the one to buy.
Highly recommended.
129 of 131 people found the following review helpful.
A peephole into the distant past
By Ursiform
I ordered the hardcover edition of this book from ... , and it is unfortunate that it is not readily available in the US. At least the softcover edition is now available, and worth acquiring for anyone interested in a glimpse of what life-and thought-was like nearly 4000 years ago. I was unaware, before reading this volume, that Gilgamesh, despite it's significance and popularity in its day, does not come down to us in any complete form. George provides both a background of the civilization that produced Gilgamesh and also a history of the various partial versions that have survived and been found. Throughout the text he is careful to explain where different versions disagree, where he has interpolated fragments from other versions to fill gaps, and where no known version exists. He appends translations of various fragments and of earlier Sumerian poems of "Bilgames". While lacking the completeness, and therefore coherence, of the Homeric epics, George's translation of Gilgamesh offers at least a peephole, if not truly a window, into a civilization very far removed from ours. Despite the distance the desires and fears-particularly the fear of death-expressed seem very human and recognizable. In fact, and in spite of, the archaic structure of the verse, Gilgamesh seems more human to me than many of the semi-divine heros of Homer. Certainly not light reading, but very much worth the time and effort.
54 of 55 people found the following review helpful.
Exhaustive, scholarly, for advanced readers
By John L Murphy
I recommend this Penguin Classic, but it offers more thorough scholarly apparatus than usual for the series. This is not meant as a criticism! But, a beginner may find a "version" such as Stephen Mitchell's easier to start with for an overview of the storyline, and a briefer introduction and helpful endnotes. The poem itself is not lengthy, but the ancillary texts and sources, as Andrew George shows us, do take up considerable space which may please enthusiasts but discourage newcomers to this epic poem.
George prepared for Oxford UP in 1999 a two-volume edition, and this Penguin adapts the core of the English translation for a wider audience. It appears ideal for a college classroom or the reader wanting to learn more about the lacunae, the gaps, the language, and the editorial decisions made by George and fellow translators. A fascinating appendix shows how out of grammatical markers, syllabic, and half-syllabic cuneiform incisions the sounds and rhythms and absences that fill this most ancient of narratives turn into what we can understand. To a point.
Terms such as "louvre-door," "glacis-slope," "hie to the forge," and notably Ishtar's exhortation to "stroke my quim" give a rather archaic diction to parts of the translation. George aims obviously for precision in such terminology, but this does clash with the more demotic vernacular chosen by Mitchell in his popularization. Mitchell's also considerably more erotic and develops passages that in their original state, reading George, remain terse. Again, George approaches the thousands of fragments that are still being assembled nearly 150 years after their discovery and observes that this epic is still, amazingly and poignantly, one in progress as we await trained Assyriologists able to decipher not only the later Akkadian but the considerably more challenging and often cryptic Sumerian sources. It's a shame that in a region where so many billions have been spent to destroy the area between the Tigris & Euphrates that a few thousands can not be provided for the study and restoration of the oldest story text we have ever found.
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