Sabtu, 30 Juni 2012

[J293.Ebook] Ebook Vascular and Endovascular Surgery Print and enhanced E-book: A Companion to Specialist Surgical Practice, 4e 4th Edition

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Vascular and Endovascular Surgery Print and enhanced E-book: A Companion to Specialist Surgical Practice, 4e 4th Edition

  • Published on: 1707
  • Binding: Hardcover

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Rabu, 27 Juni 2012

[B647.Ebook] Download PDF Nonstop Metropolis: A New York City Atlas, by Rebecca Solnit, Joshua Jelly-Schapiro

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Nonstop Metropolis: A New York City Atlas, by Rebecca Solnit, Joshua Jelly-Schapiro

Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more.

Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna
Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

  • Sales Rank: #6015 in Books
  • Published on: 2016-10-19
  • Original language: English
  • Dimensions: 12.00" h x 1.00" w x 7.00" l, .0 pounds
  • Binding: Hardcover
  • 232 pages

Review
"In orienting oneself in this atlas...one is invited to fathom the many New Yorks hidden from history s eye...thoroughly terrific."--Maria Popova "Brain Pickings ""

From the Inside Flap
“I am thrilled to have another book-object in this series, as I devoured the San Francisco volume when I was there, and the New Orleans one likewise. Now finally here is one about the town where I live. The format, with the maps, networks, and accompanying stories and histories, is a lovely, nonlinear way of mirroring the almost infinite layers that make up a city. We all have our own mental maps of our cities and the ones we visit—maps that are, like the ones here, historical, musical, temporal, personal, economic, and geographical. The maps in Nonstop Metropolis are a good approximation of how we New Yorkers experience and perceive the city we live in.”—David Byrne

“Put your map apps and your GPS away, because none of those high-tech innovations will lead you to the immense satisfaction that this hard-to-put-down book is full of. The unique, clever, and artistic maps give you the who, what, when, and, most importantly, where of loads of unusual and little-known New York City histories. As a New York City native I finally have all the maps I need to the treasures and secrets of my hometown.”—Fab 5 Freddy

“A new way to think about the cultural and political life of cities.”—Randy Kennedy, New York Times

“Solnit, well known for her writing on politics, art and feminism, has turned her attention to New York City’s complexities in Nonstop Metropolis, the third of her trilogy of atlases and accompanying exhibitions.”—Alex Rayner, The Guardian

Selected praise for Infinite City and Unfathomable City
 
“A thought-inducing collection of maps that will challenge your view of what atlases can be.”—Kevin Winter, San Francisco/Sacramento/Portland Book Review

“A deeply illuminating assemblage of maps and essays.”—Lynell George, Chicago Tribune

“Inventive and affectionate.”—Lise Funderburg, New York Times Book Review

 “Brilliantly disorients our native sense of place.”—Jonathon Keats, San Francisco Magazine
 
“With Unfathomable City, Solnit and Snedeker have produced an idiosyncratic, luminous tribute to the greatest human creation defined by its audience participants: the city itself.”—Daniel Brook, New York Times

About the Author
Rebecca Solnit is a prolific writer, and the author of many books including Savage Dreams, Storming the Gates of Paradise, and the best-selling atlases Infinite City and Unfathomable City, all from UC Press. She received the Corlis Benefideo Award for Imaginative Cartography from the North American Cartographic Information Society for her work on the previous atlases.
 
Joshua Jelly-Schapiro is a geographer and writer whose work has appeared in The New York Review of Books, New York, Harper's, and the Believer, among many other publications. He is the author of Island People: The Caribbean and the World.  

Most helpful customer reviews

0 of 2 people found the following review helpful.
Five Stars
By Bernadette Hackett
Beautiful book!

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Sabtu, 23 Juni 2012

[H686.Ebook] PDF Download Cat on the Mat (Cat On The Mat Books), by Brian Wildsmith

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Cat on the Mat (Cat On The Mat Books), by Brian Wildsmith

The cat sat on the mat. Who else sat on the mat? I bet you don't know that.

  • Sales Rank: #575177 in Books
  • Brand: Oxford University Press, USA
  • Published on: 1987-06-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.38" h x .7" w x 8.88" l, .12 pounds
  • Binding: Paperback
  • 16 pages
Features
  • Great product!

About the Author
Brian Wildsmith is one of the most venerable figures in children's illustration today and celebrates over forty years of publishing with OUP - a truly remarkable achievement.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Good for beginning readers
By Mamma Ro
This is super simple for kids just being introduced to reading concepts. The pictures offer cues so that the child can easily figure out what the words say and will never get stuck of discouraged, even when they encounter the word "elephant". This type of book is perfect for introducing concepts like reading from left to right, reading the left page then the right page, introducing title, cover, the end, etc.

Here is the text of the book:

The cat sat on the mat.
The dog sat on the mat.
The goat sat on the mat.
The cow sat on the mat.
The elephant sat on the mat.
Sssppstt! (cat hisses and scares off the other animals)
The cat sat on the mat.

This book is a perfect "first reading book" for a preschooler. Helps to build confidence and the feeling that "I can do it!" A couple other titles that do this well include:
"My Messy Room" (Scholastic Hello Reader)
"Ducks in Muck" (Random House Early Step Into Reading)
the first book in the first box of the BOB books series

It's pretty hard to get a really little kid to take the plunge into reading a book him/herself and very few titles offer this low level practice to build confidence. That's the only reason this book is worth picking up.

0 of 0 people found the following review helpful.
Great for a beginning reader/preschooler
By L. Bourgeois
Great for a beginning reader/preschooler. Gives them the proud feeling of being able to do it. Using repetition and clues from the illustration, a preschooler can master this book all on their own building confidence while still being an entertaining book that my children all found very funny at that age. I came back for a new copy for my youngest.

0 of 0 people found the following review helpful.
Five Stars
By Gaye
Great for beginning readers!

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[R274.Ebook] Ebook Download Pokémon: Diamond and Pearl Adventure!, Vol. 1 (Pokemon), by Shigekatsu Ihara

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Pokémon: Diamond and Pearl Adventure!, Vol. 1 (Pokemon), by Shigekatsu Ihara

• This is the official tie-in to the Diamond & Pearl franchise.
• The second coming of Pokémon is taking over the world (of retail)!
• The Pokémon franchise is well known among parents as a safe bet and kid-friendly.
• Diamond & Pearl is one of the top-selling video games worldwide and is the most successful Pokémon release since the original series, selling almost 9 million copies worldwide and generating over $25 billion as of August 2007.
• The success of Diamond & Pearl games has generated enormous fan awareness not only of that series, but also of Pokémon across the board; even older titles such as Pokémon Adventures have seen a sales spike since the game’s debut.
• The anime series Diamond & Pearl is one of Cartoon Network’s feature properties, airing in the prime weekday afternoon time-slot.
• The theatrical release of the movies in the U.S.-the first in June 2008-will raise the profile of the series still higher.
• For Pokémon fans who have to get 'em all (or at least all the VIZ Media licensed merchandise)!
• Over 150 million Pokémon video games sold worldwide / 40 million in the U.S.
• Over 14 billion trading cards sold worldwide.

The fourth generation of the franchise, Diamond and Pearl, debuted in Japan in 2006, and is the most successful Pokémon release since the original series, selling more than 10 million video game units worldwide (and 3.4 million units in the U.S. since its 2007 debut).

  • Sales Rank: #315240 in Books
  • Brand: VIZ Media, LLC
  • Model: 3821567
  • Published on: 2008-04-10
  • Released on: 2008-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .70" w x 5.00" l, .35 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Great product!

About the Author
Pokemon is more than a game or a TV show, it's a cultural phenomenon that has won the hearts of Japanese and American fans alike! Pokemon comics, games, animation, and toys are run-away hits worldwide. But Pokemon's appeal comes from exciting stories and dynamic personalities-the heart displayed by Ash and the loyalty of Pikachu and the other Pokemon. See for yourself what all the excitement is about.

Most helpful customer reviews

3 of 3 people found the following review helpful.
9 y.o. ds loves this book!
By Tracey J. Hartley
I got this for my 9 y.o. for Christmas and even though he usually reads much harder books he does really enjoy these Pokemon ones. He likes how you read it backwards.

0 of 1 people found the following review helpful.
It's different them Adventures,and the anime.
By A Human
If you want it to be true to the games,read Adventures,aka Special.

However,this is still a fun manga. It's more realistic then the anime,and more true to the games.

12 of 12 people found the following review helpful.
Pokemon Adventure is at it again!
By Reader
For those of you who don't know, Pokemon Adventure follows a less childish plot. Still childish, but THE ATTACKING MAKES SENSE!

In the novels, characters will use their surroundings, and rapid switching of pokemon, along with attacks in cunning ways not presented by the show. Moves are often used in new ways. For example, in this manga, Mars, a leader of the evil forces, uses scratch from a pokemon to turn off the power, and then uses Zubat's supersonic so he's the only one who can see.

Comedy is also better. There's a piplup joke that's pretty much the team rocket "Blasting off" joke, only funnier. The rival also falls in love with any girl he meets, much like brock from the anime, if brock fell in love with enemy girls and Misty/May.

Overall, it's WAAAAAY better than the Anime. Things actually make sense. So if you're a pokemon fan that's too cool for the child's anime, this is good. There's nothing bad, really, so it'll amuse the little fans too.

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Jumat, 22 Juni 2012

[B980.Ebook] Download Space, Time and Architecture: The Growth of a New Tradition, Fifth Revised and Enlarged Edition (The Charles Eliot Norton Lectures), by Si

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Space, Time and Architecture: The Growth of a New Tradition, Fifth Revised and Enlarged Edition (The Charles Eliot Norton Lectures), by Si

A milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Mr. Giedion's classic work, major sections have been added and there are 81 new illustrations.

The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier's only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death], which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post-World War II architectural concepts.

A new essay, "Changing Notions of the City," traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert's Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.

  • Sales Rank: #525547 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2009-02-28
  • Released on: 2008-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.72" w x 6.88" l, 3.44 pounds
  • Binding: Paperback
  • 960 pages
Features
  • Used Book in Good Condition

Review
This book is an important collection of historical and critical surveys and a brilliant study of the trends and developments of the modern scene with its historical background and true significance. For the general reader interested in the past and its relation to our present, and the specialist in architecture preoccupied with its facets of change, the author has succeeded in presenting a consistently developing process and a clear, concise picture. (Edward Larocque Tinker New York Times Book Review)

[Giedion's] survey of our architectural inheritance, beginning with the "organization of space" in the early Renaissance, is masterly, selective, and instructive. In his treatment of individual architects he calls a famous roll, and leaves us with a clear impression of the significance of each man's work... This is a big book, and one that no reader will exhaust quickly. (Saturday Review)

Space, Time and Architecture is a remarkable accomplishment in that it explores and throws new light on buildings and plans that were underestimated or unknown before this book appeared. It has also proved to be one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. It not only reviews the varied fields of architecture and city planning in relation to an emerging industrial technology, but also shows their parallel development in the visual arts. Sigfried Giedion's accomplishment remains unmatched. (Jose Luis Sert)

Dr. Sigfried Giedion is today recognized as one of the world's most eminent architectural critics and historians. The unusual success of his Space, Time and Architecture, first published in 1941 and now greatly revised and expanded, is due to his deep investigation into the whole philosophical and technical background of our modern civilization. This new edition ensures that the book will continue to be internationally acknowledged as the standard work on the development of modern architecture. (Walter Gropius)

Review
Space, Time and Architecture is a remarkable accomplishment in that it explores and throws new light on buildings and plans that were underestimated or unknown before this book appeared. It has also proved to be one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. It not only reviews the varied fields of architecture and city planning in relation to an emerging industrial technology, but also shows their parallel development in the visual arts. Sigfried Giedion's accomplishment remains unmatched. (Jose Luis Sert)

About the Author
Sigfried Giedion was the first secretary-general of the International Congress of Modern Architecture. He taught at the University of Zurich, Massachusetts Institute of Technology, and Harvard University, where he became chairman of the Graduate School of Design.

Most helpful customer reviews

33 of 33 people found the following review helpful.
A history of linear progression
By A Customer
This book is based on lectures Giedion gave at Harvard 1938-39. It is considered a modernist manifesto and after WW II, and well into the 1960s, it was often used in the training of architects all over the western world. European readers found the book interesting primarily because of it's section on the American history of architecture. The subtitle - The growth of a new tradition - refers to Giedion's conviction that the modern movement was the logical outcome of what he saw as a linear historical development. To make his case he gives his version of the history of architecture, and a big portion deals with the industrial era and how new technologies changed architecture and society as a whole. Giedion's all-inclusive way of reasoning was inspired by his teacher Heinrich Wölfflin. He also admired Wölfflin's mentor Jakob Burchardt. Giedion's mission is clear and he states that laissez faire mentality hinders development and that with common goals and values the world would be able to make changes for the better on a grand scale. Today the book in my view is primarily interesting as a time document and it gives insight into the modernist world of universal ideals.

17 of 19 people found the following review helpful.
A dated manifesto whose time has passed
By Michael S. McGill
This book is vast in its ambitions, uneven in its analysis, and badly dated in its defense of modern architecture. Giedion's basic premise is that the Industrial Revolution caused a separation to occur between thinking and feeling, this separation was exemplified by what he considers derivative architecture during the 19th century, and that it is up to the modern movement to reunite these two spheres by combining emotions with a scientific approach to architecture, and by adding the dimension of time to its three dimensional depiction of space. His historical analysis is quite erudite, but his treatment of the major architects who founded the modern movement, particularly Gropius and Le Corbusier, verges on hagiography. For instance he considers Gropius' PanAm building in New York, and Le Corbusier's Carpenter Center at Harvard to be great works of architecture, when contemporary critics view these as among their worst. The only American architect given comparable attention is Frank Lloyd Wright. The book flounders at the end in its speculation about the future, praising Le Corbusier's advocacy of separating people from cars by building elevated highways, and housing people in slablike high rise towers. Considering that Pruitt-Igoe was already, at the time of his final revision to his book, failing in St. Louis as an approach to house poor families (it was later blown to smithereens as a total disaster), this advocacy of housing people in high rises rings hollow indeed. He also advocates separating functions in a city, at a time again during his final revision, when Jane Jacobs "Death and Life of Great American Cities" was revolutionizing city planning by advocating just the opposite. It is worth reading because it makes you think, but it is badly dated.

12 of 14 people found the following review helpful.
Excellent history
By magellan
I enjoyed this book for the author's insights into how 20th century architecture, starting from certain antecedents in the 19th century, such as the early iron-reinforced concrete structures of William LeBaron Jenny, progressed through Louis Sullivan, Frank Lloyd Wright, the Bauhaus school, and so on, up to the style which he calls "the hanging curtain of glass."
Giedion shows how this spectacular 20th-century building originated around the turn of the last century and how it's modern variations represent a triumpth of this type of design.
The basic principle, as exemplified early on in the Carson, Pirie, Scott, and Co. building in Chicago, is that as stuctural members receeded from the outlying masonry walls into the interior skeleton of the building, this allows the architect to open up the facade with windows, skylights, and other penetrating elements in order to let the maximum amount of air and light into the building. Eventually no real supporting structural members need reside on the outside of the building, and the aesthetic result is the "hanging curtain of glass" effect... Whatever one thinks of this type of building, it has become a major landmark of 20th-century architectural design in cities all over the world.
Giedion's treatment of Robert Maillart's graceful, parabolic spanning bridge designs in the Swiss Alps and some other places, such as the Tavanasa Bridge in the U.S., which he specifically discusses as one of Maillart's most important achievements, is also very interesting.
Overall, Giedion's book is a fine treatment of an important and difficult period in the history of architecture, and is one of the most important books on architecture to be written in recent decades.

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Selasa, 19 Juni 2012

[O224.Ebook] Fee Download Young's Analytical Concordance to the Bible, by Robert Young

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Young's Analytical Concordance to the Bible, by Robert Young

A standard Biblical concordance, Young's casts all words in the Bible into alphabetical order and arranges them under their respective original words. This helps the reader to analyze more accurately the various uses of the original Hebrew and Greek words. Includes over 300,000 biblical references.

  • Sales Rank: #66897 in Books
  • Brand: Hendrickson Publishers
  • Model: 1748537
  • Published on: 1984-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x 2.30" w x 8.80" l, 4.20 pounds
  • Binding: Hardcover
  • 1206 pages

Most helpful customer reviews

54 of 57 people found the following review helpful.
Why I like it better than Strongs
By Chris French
Most concordances let you trace an English word through the Bible. But, is it really the same word? Is ``infirmity'' astheneo (weakness) or nesos (sickness) in this verse? Both Youngs and Strongs give you the Hebrew or Greek word. However, Youngs gives you all the translations of the ``original'' word, so that you can trace just that word. One English word may actually be several different Hebrew or Greek words. Likewise, one Hebrew or Greek word may actually be translated by several English words. Straighten it all out with Youngs, without having to become a language scholar.

1 of 1 people found the following review helpful.
Pleasant Surprise
By Greogry L Crawford
I have been pleasantly surprised by the number of additional Bible study aids that are contained within this special book. I strongly recommend this resource to all serious students of the Word.

1 of 1 people found the following review helpful.
Five Stars
By Dianaru
Nice size print, sturdy and easy to read I'm enjoying it very much.

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Sabtu, 16 Juni 2012

[Z833.Ebook] Ebook Download High Society (Cerebus, Volume 2), by Dave Sim

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High Society (Cerebus, Volume 2), by Dave Sim

Book by Sim, Dave

  • Sales Rank: #172696 in Books
  • Brand: Brand: Aardvark-Vanheim
  • Published on: 1994-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 7.75" w x 1.25" l, 1.55 pounds
  • Binding: Paperback
  • 500 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Volume two of the Cerebus the Aardvark series, High Society, is the beginning of the main Cerebus story line and one of the finest graphic novels ever published. If you have to start from the very beginning, you'll need the first volume, Cerebus, but if you don't mind a modicum of confusion, this is a much more satisfying place to begin. The artwork is much improved and the level of humor reaches its high point in the series to date. (Unkind critics point to High Society as the older, funnier book of the Cerebus series.)

Parliamentary politics were never so much fun as they are in the Prime Minister election of 1414. Lord Julius and the mysterious Astoria battle for control of the city-state Iest with Cerebus as their unwitting pawn. Goats, bunny sketches, the Regency Elf, and Moon Roach join the pandemonium, helping to set the stage for things to come. High Society is a home run; an instant classic both as a stand-alone volume and in the context of the rest of the series. Beware though, the ending dovetails directly into Church and State; You may want to grab that volume as well, because once you start the series, the story of Cerebus gets increasingly harder to put down.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Cerebus goes high art.
By Sean Curley
"Cerebus" is these days a controversial piece of work due to some of the rather unorthodox views propounded by its creator, Dave Sim, who, in the mid-90s, formulated some theories about women that fell afoul of, well, civilized views. This has retroactively cast a shadow over the earlier volumes of the series, such as "High Society", the second volume in the collection, and the first of the volumes that is genreally considered to have arrived at the higher artistic standards the series is famous for (the first volume consists of a series of short arcs that parody "Conan the Barbarian"; while starting at volume 2 will result in some confusion about the characters introduced earlier, some may prefer to start here). "High Society", though, remains well worth your time, coming years before Sim went off the rails.

Cerebus the Aardvark, a barbarian from the north now in the service of the Groucho Marx-esque Lord Julius of Palnu, is sent as emissary to the city-state of Iest. Cerebus is the definition of "uncultured", an do si not particularly suited to diplomacy, though he finds plenty of time for the activity that comes most naturally to him in any situation: self-aggrandizement. Allied with Astoria, the politically involved former acquaintance of Julius, he eventually becomes drawn into a race for Prime Minister of Iest, which is near-insolvent due to various trade and lending practices. Cerebus just wants to be the last man out before the collapse (said man will be very rich), while Astoria an dher faction have more political concerns (to which Cerebus is supremely indifferent). Once in office, Cerebus, having to keep the country out of bankruptcy, launches a war of conquest in pursuit of riches, but, with the strangely wily Julius in the mix, things do not turn out as he had hoped.

Most of "High Society" is a genial political satire, which has in its sights both the cynics (Cerebus chief among them, without scruple in exploiting others to gain power for himself) as and the idealists, who appear mainly as fools for Cerebus to manipulate. Sim's writing is marvelously clever. At the same time, he is capable of striking a serious note: the ending is quietly revelatory, as Sim seamlessly goes from satire to laying bare the genuine stakes in politics for people.

At the book's end, we have been Cerebus rise and fall, and, much the same as he was when he arrived, he departs for parts unknown (which, as we will find out in "Church and State", will involve first a return to where he already was).

8 of 8 people found the following review helpful.
"High Society" is my favorite "Cerebus" graphic novel
By Lawrance Bernabo
I started reading "Cerebus" when Dave Sim's independent black & white comic book was on the cusp of the "High Society" story line. "Cerebus, Book 2: High Society" (issues #226-50) constitutes the first "novel" in the history of the book and the point at which Sim had clearly moved beyond the idea of Cerebus the Barbarian stage, where it was basically a strange animal walking around in a world that was drawn in the style of Barry Windsor-Smith. I first became aware of Sim for the work he did with funny animals, beavers in particular, for "Quack." Actually, what got me reading "Cerebus" was not just that the comic book was getting a reputation for being one of the best of the alternative comic books put out by the independent press, but more importantly that there was a character in it who looked and talked like Groucho Marx.

That would be Lord Julius, one of several key characters in "High Society" who is introduced during the first two years of the title, along with the Roach, the would-be superhero that Sim would transform into a parody of whichever Marvel character was the current flavor of the month. Then there is Jaka, the dancer Cerebus first met in a tavern in Beduin. These three characters represent three major impulses in Sim's work. Lord Julius represents the inclusion of real characters into the world of Cerebus, which would eventually include the likes of Mick Jagger and Oscar Wilde. What began as a sort of simple joke (Groucho popping up is always going to be funny), became serious when the characters started symbolizing the reality of their real world counterparts. The Roach symbolizes Sim's commentary on the comic book business, which for me is the weakest of the three impulses. The whole Petuniacon takeover on a comic book convention is funny at face value, but it detracts a bit from the political satire that is at the heart of "High Society." Then there is Jaka.

It is hardly surprising that the original characters created by Sims would become the most important. In "High Society" this means not only Jaka but also Astoria and the Regency Elf. The Roach can move on to become first the Moon Roach and then Sergeant Preston of the Royal Mounted Iestan Police, and you can throw in the brothers Dirty Fleagle and Dirty Drew McGrew, but they are mere comic relief while the trio of feminine figures are at the heart of the story. Suddenly we have moved well beyond a funny animal to larger issues such as politics and gender (with religion and creativity to come in future novels).

Cerebus shows up in Iest at the Regency Hotel carrying with him the last few pieces of loot he has acquired on his travels. Expecting to be denied admittance, Cerebus is surprised when he is given free lodgings and food. Suddenly people are paying him bribes to just to remember the name of a company that makes gold-plated streetlamps when he talks to Lord Julius. From Cerebus the Aardvark to Cerebus the Barbarian we now have Cerebus the Lobbyist. Actually, it seems Cerebus is now a ranking diplomatic representative of a southern city-state and if you think the aardvark is in over his head, wait until Astoria shows up and starts dispensing political advice. More importantly, wait until Cerebus runs against a goat for the office of Prime Minister, because that is when "High Society" shifts into high gear, even as Iestan society falls apart.

That is also the point where "Cerebus" gets told sideways, starting in issue #44 "The Deciding Vote." I highlight that particular issue because it includes my all-time favorite page by Dave Sim, which would be page 383. In several of the preceding pages Sim shows Cerebus and another character traveling across a snowy landscape. What he was doing was drawing the landscape, dividing the drawing into vertical panels, with Cerebus and his companion shown in each panel making their way along. But on my favorite page on the dozen pages the first eight include the exact same drawing, with the last two being identical. What changes is the sound of Cerebus walking away on snowshoes ("WUFFA wuffa") and walking back ("wuffa WUFFA"). The page represents one of Sim's best jokes ever and whenever I have had occasion to lecture on comic book art I have always shown these pages along with those in one of Frank Miller's "Daredevil" comics when he retells the character's origin and has a line representing the Fixer's heartbeat indicating a heart attack going across the panels of DD chasing the man down.

"High Society" is my favorite Cerebus novel, although it is neither as ambitious as "Church and State" nor as polished as "Mothers and Daughters." But the impression it made when it was clear that Sim was now working the deep end of the poem has stayed with me and I do have an inherent love of political satire. Besides, Cerebus' reconciliation with Jaka is more touching than their poignant parting, the Regency Elf shakes up things nicely at inopportune times, and I love liberty as much as the next person raised in a free democratic society. Still, more scenes with Lord Julius would have been nice, especially if Astoria is involved. After this novel Gerhard starts doing backgrounds for Sim and the look of "Cerebus" changes dramatically (Gerhard did the cover, so if you compare that to the first splash page inside you can see how much of a difference this will make for the rest of the 300 issues of "Cerebus").

0 of 0 people found the following review helpful.
The start of something very special.
By K.A.
The second Cerebus graphic Novel takes the aardvark from an amusing little sword swinging barbarian to an interesting, well fleshed out character. We begin to see Cerebus become more than just a parody of Conan and we start to learn that Dave Sim can tell a good story.The artwork in this series is also some of the best I have seen to date. His cross hatching work is amazing and the lack of color is hardly noticed. I am very happy to be reading these books again and plan to purchase all of them! I would recommend these to friends and to anybody that is looking for a fun adventure to sink their teeth into!

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Steve Jobs, by Walter Isaacson

Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering.  

Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted.

Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.

  • Sales Rank: #8422 in Books
  • Brand: PowerbookMedic
  • Published on: 2011-10-24
  • Released on: 2011-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.90" w x 6.12" l, 2.16 pounds
  • Binding: Hardcover
  • 656 pages
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Amazon.com Review
Amazon Best Books of the Month, November 2011: It is difficult to read the opening pages of Walter Isaacson’s Steve Jobs without feeling melancholic. Jobs retired at the end of August and died about six weeks later. Now, just weeks after his death, you can open the book that bears his name and read about his youth, his promise, and his relentless press to succeed. But the initial sadness in starting the book is soon replaced by something else, which is the intensity of the read--mirroring the intensity of Jobs’s focus and vision for his products. Few in history have transformed their time like Steve Jobs, and one could argue that he stands with the Fords, Edisons, and Gutenbergs of the world. This is a timely and complete portrait that pulls no punches and gives insight into a man whose contradictions were in many ways his greatest strength. --Chris Schluep


Amazon Exclusive: A Q&A with Walter Isaacson

Q: It's becoming well known that Jobs was able to create his Reality Distortion Field when it served him. Was it difficult for you to cut through the RDF and get beneath the narrative that he created? How did you do it?

Isaacson: Andy Hertzfeld, who worked with Steve on the original Macintosh team, said that even if you were aware of his Reality Distortion Field, you still got caught up in it. But that is why Steve was so successful: He willfully bent reality so that you became convinced you could do the impossible, so you did. I never felt he was intentionally misleading me, but I did try to check every story. I did more than a hundred interviews. And he urged me not just to hear his version, but to interview as many people as possible. It was one of his many odd contradictions: He could distort reality, yet he was also brutally honest most of the time. He impressed upon me the value of honesty, rather than trying to whitewash things.

Q: How were the interviews with Jobs conducted? Did you ask lots of questions, or did he just talk?

Isaacson: I asked very few questions. We would take long walks or drives, or sit in his garden, and I would raise a topic and let him expound on it. Even during the more formal sessions in his living room, I would just sit quietly and listen. He loved to tell stories, and he would get very emotional, especially when talking about people in his life whom he admired or disdained.

Q: He was a powerful man who could hold a grudge. Was it easy to get others to talk about Jobs willingly? Were they afraid to talk?

Isaacson: Everyone was eager to talk about Steve. They all had stories to tell, and they loved to tell them. Even those who told me about his rough manner put it in the context of how inspiring he could be.

Q: Jobs embraced the counterculture and Buddhism. Yet he was a billionaire businessman with his own jet. In what way did Jobs' contradictions contribute to his success?

Isaacson: Steve was filled with contradictions. He was a counterculture rebel who became a billionaire. He eschewed material objects yet made objects of desire. He talked, at times, about how he wrestled with these contradictions. His counterculture background combined with his love of electronics and business was key to the products he created. They combined artistry and technology.

Q: Jobs could be notoriously difficult. Did you wind up liking him in the end?

Isaacson: Yes, I liked him and was inspired by him. But I knew he could be unkind and rough. These things can go together. When my book first came out, some people skimmed it quickly and cherry-picked the examples of his being rude to people. But that was only half the story. Fortunately, as people read the whole book, they saw the theme of the narrative: He could be petulant and rough, but this was driven by his passion and pursuit of perfection. He liked people to stand up to him, and he said that brutal honesty was required to be part of his team. And the teams he built became extremely loyal and inspired.

Q: Do you believe he was a genius?

Isaacson: He was a genius at connecting art to technology, of making leaps based on intuition and imagination. He knew how to make emotional connections with those around him and with his customers.

Q: Did he have regrets?

Isaacson: He had some regrets, which he expressed in his interviews. For example, he said that he did not handle well the pregnancy of his first girlfriend. But he was deeply satisfied by the creativity he ingrained at Apple and the loyalty of both his close colleagues and his family.

Q: What do you think is his legacy?

Isaacson: His legacy is transforming seven industries: personal computers, animated movies, music, phones, tablet computing, digital publishing, and retail stores. His legacy is creating what became the most valuable company on earth, one that stood at the intersection of the humanities and technology, and is the company most likely still to be doing that a generation from now. His legacy, as he said in his "Think Different" ad, was reminding us that the people who are crazy enough to think they can change the world are the ones who do.

Photo credit: Patrice Gilbert Photography

About the Author
Walter Isaacson, the CEO of the Aspen Institute, has been chairman of CNN and the managing editor of Time magazine. He is the author of The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution; Steve Jobs; Einstein: His Life and Universe; Benjamin Franklin: An American Life; and Kissinger: A Biography, and the coauthor of The Wise Men: Six Friends and the World They Made. He lives in Washington, DC. Follow him on Twitter @WalterIsaacson.

Excerpt. © Reprinted by permission. All rights reserved.


Excerpt 1

His personality was reflected in the products he created. Just as the core of Apple’s philosophy, from the original Macintosh in 1984 to the iPad a generation later, was the end-to-end integration of hardware and software, so too was it the case with Steve Jobs: His passions, perfectionism, demons, desires, artistry, devilry, and obsession for control were integrally connected to his approach to business and the products that resulted.

The unified field theory that ties together Jobs’s personality and products begins with his most salient trait: his intensity. His silences could be as searing as his rants; he had taught himself to stare without blinking. Sometimes this intensity was charming, in a geeky way, such as when he was explaining the profundity of Bob Dylan’s music or why whatever product he was unveiling at that moment was the most amazing thing that Apple had ever made. At other times it could be terrifying, such as when he was fulminating about Google or Microsoft ripping off Apple.

This intensity encouraged a binary view of the world. Colleagues referred to the hero/shithead dichotomy. You were either one or the other, sometimes on the same day. The same was true of products, ideas, even food: Something was either “the best thing ever,” or it was shitty, brain-dead, inedible. As a result, any perceived flaw could set off a rant. The finish on a piece of metal, the curve of the head of a screw, the shade of blue on a box, the intuitiveness of a navigation screen—he would declare them to “completely suck” until that moment when he suddenly pronounced them “absolutely perfect.” He thought of himself as an artist, which he was, and he indulged in the temperament of one.

His quest for perfection led to his compulsion for Apple to have end-to-end control of every product that it made. He got hives, or worse, when contemplating great Apple software running on another company’s crappy hardware, and he likewise was allergic to the thought of unapproved apps or content polluting the perfection of an Apple device. This ability to integrate hardware and software and content into one unified system enabled him to impose simplicity. The astronomer Johannes Kepler declared that “nature loves simplicity and unity.” So did Steve Jobs.





Excerpt 2

For Jobs, belief in an integrated approach was a matter of righteousness. “We do these things not because we are control freaks,” he explained. “We do them because we want to make great products, because we care about the user, and because we like to take responsibility for the entire experience rather than turn out the crap that other people make.” He also believed he was doing people a service: “They’re busy doing whatever they do best, and they want us to do what we do best. Their lives are crowded; they have other things to do than think about how to integrate their computers and devices.”

This approach sometimes went against Apple’s short-term business interests. But in a world filled with junky devices, inscrutable error messages, and annoying interfaces, it led to astonishing products marked by beguiling user experiences. Using an Apple product could be as sublime as walking in one of the Zen gardens of Kyoto that Jobs loved, and neither experience was created by worshipping at the altar of openness or by letting a thousand flowers bloom. Sometimes it’s nice to be in the hands of a control freak.

Jobs’s intensity was also evident in his ability to focus. He would set priorities, aim his laser attention on them, and filter out distractions. If something engaged him—the user interface for the original Macintosh, the design of the iPod and iPhone, getting music companies into the iTunes Store—he was relentless. But if he did not want to deal with something—a legal annoyance, a business issue, his cancer diagnosis, a family tug—he would resolutely ignore it. That focus allowed him to say no. He got Apple back on track by cutting all except a few core products. He made devices simpler by eliminating buttons, software simpler by eliminating features, and interfaces simpler by eliminating options.

He attributed his ability to focus and his love of simplicity to his Zen training. It honed his appreciation for intuition, showed him how to filter out anything that was distracting or unnecessary, and nurtured in him an aesthetic based on minimalism.

Unfortunately his Zen training never quite produced in him a Zen-like calm or inner serenity, and that too is part of his legacy. He was often tightly coiled and impatient, traits he made no effort to hide. Most people have a regulator between their mind and mouth that modulates their brutish sentiments and spikiest impulses. Not Jobs. He made a point of being brutally honest. “My job is to say when something sucks rather than sugarcoat it,” he said. This made him charismatic and inspiring, yet also, to use the technical term, an asshole at times.

Andy Hertzfeld once told me, “The one question I’d truly love Steve to answer is, ‘Why are you sometimes so mean?’” Even his family members wondered whether he simply lacked the filter that restrains people from venting their wounding thoughts or willfully bypassed it. Jobs claimed it was the former. “This is who I am, and you can’t expect me to be someone I’m not,” he replied when I asked him the question. But I think he actually could have controlled himself, if he had wanted. When he hurt people, it was not because he was lacking in emotional awareness. Quite the contrary: He could size people up, understand their inner thoughts, and know how to relate to them, cajole them, or hurt them at will.

The nasty edge to his personality was not necessary. It hindered him more than it helped him. But it did, at times, serve a purpose. Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change. Dozens of the colleagues whom Jobs most abused ended their litany of horror stories by saying that he got them to do things they never dreamed possible.

Excerpt 3

The saga of Steve Jobs is the Silicon Valley creation myth writ large: launching a startup in his parents’ garage and building it into the world’s most valuable company. He didn’t invent many things outright, but he was a master at putting together ideas, art, and technology in ways that invented the future. He designed the Mac after appreciating the power of graphical interfaces in a way that Xerox was unable to do, and he created the iPod after grasping the joy of having a thousand songs in your pocket in a way that Sony, which had all the assets and heritage, never could accomplish. Some leaders push innovations by being good at the big picture. Others do so by mastering details. Jobs did both, relentlessly. As a result he launched a series of products over three decades that transformed whole industries.

Was he smart? No, not exceptionally. Instead, he was a genius. His imaginative leaps were instinctive, unexpected, and at times magical. He was, indeed, an example of what the mathematician Mark Kac called a magician genius, someone whose insights come out of the blue and require intuition more than mere mental processing power. Like a pathfinder, he could absorb information, sniff the winds, and sense what lay ahead.

Steve Jobs thus became the greatest business executive of our era, the one most certain to be remembered a century from now. History will place him in the pantheon right next to Edison and Ford. More than anyone else of his time, he made products that were completely innovative, combining the power of poetry and processors. With a ferocity that could make working with him as unsettling as it was inspiring, he also built the world’s most creative company. And he was able to infuse into its DNA the design sensibilities, perfectionism, and imagination that make it likely to be, even decades from now, the company that thrives best at the intersection of artistry and technology.

Excerpt 4

The difference that Jony has made, not only at Apple but in the world, is huge. He is a wickedly intelligent person in all ways. He understands business concepts, marketing concepts. He picks stuff up just like that, click. He understands what we do at our core better than anyone. If I had a spiritual partner at Apple, it’s Jony. Jony and I think up most of the products together and then pull others in and say, “Hey, what do you think about this?” He gets the big picture as well as the most infinitesimal details about each product. And he understands that Apple is a product company. He’s not just a designer. That’s why he works directly for me. He has more operational power than anyone else at Apple except me. There’s no one who can tell him what to do, or to butt out. That’s the way I set it up.

Excerpt 5

When Jobs gathered his top management for a pep talk just after he became iCEO in September 1997, sitting in the audience was a sensitive and passionate thirty-year-old Brit who was head of the company’s design team. Jonathan Ive, known to all as Jony, was planning to quit. He was sick of the company’s focus on profit maximization rather than product design. Jobs’s talk led him to reconsider. “I remember very clearly Steve announcing that our goal is not just to make money but to make great products,” Ive recalled. “The decisions you make based on that philosophy are fundamentally different from the ones we had been making at Apple.” Ive and Jobs would soon forge a bond that would lead to the greatest industrial design collaboration of their era.

Ive grew up in Chingford, a town on the northeast edge of London. His father was a silversmith who taught at the local college. “He’s a fantastic craftsman,” Ive recalled. “His Christmas gift to me would be one day of his time in his college workshop, during the Christmas break when no one else was there, helping me make whatever I dreamed up.” The only condition was that Jony had to draw by hand what they planned to make. “I always understood the beauty of things made by hand. I came to realize that what was really important was the care that was put into it. What I really despise is when I sense some carelessness in a product.”

Ive enrolled in Newcastle Polytechnic and spent his spare time and summers working at a design consultancy. One of his creations was a pen with a little ball on top that was fun to fiddle with. It helped give the owner a playful emotional connection to the pen. For his thesis he designed a microphone and earpiece—in purest white plastic—to communicate with hearing-impaired kids. His flat was filled with foam models he had made to help him perfect the design. He also designed an ATM machine and a curved phone, both of which won awards from the Royal Society of Arts. Unlike some designers, he didn’t just make beautiful sketches; he also focused on how the engineering and inner components would work. He had an epiphany in college when he was able to design on a Macintosh. “I discovered the Mac and felt I had a connection with the people who were making this product,” he recalled. “I suddenly understood what a company was, or was supposed to be.”

Most helpful customer reviews

3 of 3 people found the following review helpful.
Amazing story of a complex man
By a New Yorker
With the exception of one laptop and 2 non-smart cell phones, in my personal and professional life since 2004 I've had nothing but Apple products - computers (both desktop and laptop), iPads, iPods, and my crown jewel: my iPhone. None has ever disappointed me. I say this not to put forth a review of the Apple products but to explain that I am part of Steve Jobs's choir: I value, respect and rely on the products that he created. I'm sold, so to speak. And so it seemed only logical that I would eventually read this book to gain insight both in the genesis and evolution of Apple and in the person of Steve Jobs. The book did not disappoint in either.

What I found out about the early years and the development of the personal computer was fascinating. I do remember a lot of the news articles from those years - I was living in San Francisco at the time and a good friend of mine worked for Apple - but I would not consider myself previously knowledgeable about Apple in any comprehensive way. I learned so much of the nuts and bolts of Apple Computer, Inc., from this book. The chapters about the creation of the iPod, iPhone and iPad were very interesting to someone who has used these products for years and years and feels she has some proficiency using what they offer me.

But the insight I gained from the book on Steve Jobs the man left me very sad. While I consider him to have been a true genius with an almost other-worldly imagination, I can't imagine that I would have liked him very much or respected him outside of his professional arena. As the founder and developer of Apple Computer, he was spectacular. He had an intense imagination, vision, and belief in things that had yet to be discovered. He was fortunate enough to find those people who had the same precise work ethic that he did. To find those people and to hone the abilities of the ones who stayed, he had no reservations about crushing their substandard efforts or their feelings. The ones who lasted were the ones who believed in his vision and their Jobs-given opportunity to indulge and demonstrate their own creativity. The ones who lasted were the best and brightest the tech and artistic world had to offer. The ones who lasted were the ones who took his ideas and made them into our reality. I am profoundly grateful to them and to him for the advances they made in technology and artistry. And I guess the one cannot exist without the other. Without his exact personality would the tech world have been turned on its ear and eventually controlled by Apple? I don't know. Actually I doubt it.

In terms of his family, it seemed as if his attention to them was given only when it was not required or demanded elsewhere. His children were discussed very little; the same is true about Laurene Powell, his wife. But it is clear that in his wife he found the one person who was his equal in intelligence and commitment. Their marriage is portrayed as strong but him as absent.

The sections on his cancer and eventual death were moving but not enough to make me feel for him as a person. I am sorry he died but my sorrow has to do with the loss of him professionally and what he might have accomplished and achieved had he lived but not with the loss of him as a man. And yet I can recognize his genius and I'm glad I read the book.

1 of 1 people found the following review helpful.
A good read
By Jerry Richgels
A poignant story about a very complex character. I am an engineer in Silicon Valley and stories have circulated here about him for decades, mostly about what an A--hole he was. But reading this book brought out for me what a layered, complicated guy he was. It is amazing how he could be so feeling and unfeeling at the same time.
I was a hard drive designer and we were always trying to get into Apple. We were trying to qualify for their "Cube" system and we had issues in their testing. I'd go there to try and solve the problems. They had the drive mounted in this weird orientation I'd never seen before and there was no fan in the Cube. Hard drives were huge heat sources in the days before power management. It was well over our spec of 50C inside the Cube. I whined to the Apple quality engineers about the heat. The quick reply was "Well, your design is s--- then. You should be able to handle that." Who does that sound like? He definitely set the tone for the whole organization. They eventually got what they wanted - same as Steve.

2 of 2 people found the following review helpful.
A good starting point for those unfamiliar with Steve Jobs
By Aaron
Thoroughly enjoyed the biography that Walter Isaacson put together. I went into the book hardly knowing anything about Steve Jobs and left it with a general understanding of who he was as a person and as a CEO of Apple. It's hard to believe how fast the computer has advanced from an expensive luxury into being an affordable centerpiece around the family home. Unfortunately it is hard to really determine wether Steve Jobs thoroughly enjoyed life due to his abrasive and general irrational behaviors that ultimately caused the end of his own life. When finished the reader can't help but question the Steve Jobs persona and how damaging it was to others both emotionally and physically.

My only complaints with the book were that there were not enough pictures and that there was some repetitiveness. Also when Walter Isaacson describes Steve Jobs's appearance at Apple events, such as the Apple II reveal or the IPOD, when I searched for their recordings on youtube I found that there was some discrempancies.

I am planning to read Steve Wozniak's biography, whom I hold a better moral standard to than Steve Jobs, next in order to gain some more insight into those early Apple days. Also I really liked the paperback version of this Biography both in terms of feel on the hands and the overall aesthetic look to it.

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