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Dr. Agatha Thrash has spent her career helping people improve their wellbeing thanks to her practical and natural approach to health. A board specialist in pathology, Dr. Thrash has written numerous books about the benefits of charcoal, hydrotherapy, and other home remedies and natural therapies. "Nature's Healing Practices" is an extensive volume that contains a wealth of information drawn from Dr. Thrash's books and her and her associates' years of clinical experience. The book is divided into six sections: Conditions and Diseases, Home Emergencies, Natural Remedies, Herbal Remedies, Dietary Information, Supplemental Information. The first section-Conditions and Diseases-makes up the largest portion of the book and serves as a reference guide for a host of ailments from allergies, Alzheimer's diseases, cancer, and cataracts to headaches, skin diseases, thyroid issues, and women's conditions. Listed in alphabetical order, the various conditions feature case studies, background information, causes, and treatments, including herbal, hydrotherapy, exercise, and dietary suggestions. The rest of the sections provide valuable information how to treat bee stings and other minor home emergencies, how to administer hydrotherapy treatments, what herbs treat what ailments, and what foods to avoid and what foods to eat based on the condition you are battling.

• Sales Rank: #1533268 in Books
• Published on: 2015-06-18
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x 1.11" w x 7.44" l, 2.13 pounds
• Binding: Paperback
• 548 pages

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2 of 2 people found the following review helpful.
Simply Superb
By Amazon Customer
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1 of 1 people found the following review helpful.
Excellent information. If you like to take your health ...
By Willis Hankins Jr.
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The last book by a prolific writer and medical expert ...
By Leatherneck
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• Sales Rank: #995390 in Books
• Published on: 2013-05-21
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .28" w x 5.51" l, .29 pounds
• Binding: Paperback
• 104 pages

About the Author
LoveBook is a group of individuals who want to spread love in all its forms. We believe love fuels the world, and every relationship is important. We hope all of our works build upon this belief.

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1 of 1 people found the following review helpful.
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By Carolyn Smith
There are tons of great ideas in this book. A lot of them you can do right at home for no cost. As soon as I showed it to my kids my 9-year old son took sticky notes and marked the pages of everything he wanted to try. He marked 3/4 of the book! We are having a great time trying the activities! I also like that there is room on each page for you to jot down your thoughts about each activity. :)

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Great Family Activities
By Clarissa Waffle
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[R452.Ebook] Ebook Photographs, Museums, Collections: Between Art and InformationFrom Bloomsbury Academic

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The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued and their significance unrecognised.

This volume presents a series of case studies on the historical collecting and usage of photographs in museums. Using critically informed empirical investigation, it explores substantive and historiographical questions such as what is the historical patterning in the way photographs have been produced, collected and retained by museums? How do categories of the aesthetic and evidential shape the history of collecting photographs? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections?

The case studies cover a wide range of museums and collection types, from art galleries to maritime museums, national collections to local history museums, and international perspectives including Cuba, France, Germany, New Zealand, South Africa and the UK. Together they offer a fascinating insight into both the history of collections and collecting, and into the practices and poetics of archives across a range of disciplines, including the history of science, museum studies, archaeology and anthropology.

• Sales Rank: #1348151 in Books
• Published on: 2015-07-14
• Released on: 2015-07-14
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x .76" w x 6.18" l, 1.50 pounds
• Binding: Paperback
• 304 pages

Review

“Whoever suspected that museums' photography collections could be digitized and then discarded will change their mind after reading this groundbreaking book that brings together leading academics and curators. Anonymous and mostly uncatalogued photographs are restored with not only their biographies, but also a material future, as a key to a broader understanding of collecting history.” ―Dr Costanza Caraffa, Head of Photo Library, Kunsthistorisches Institut in Florenz, Max Planck Institute, Italy

“With breadth of vision and depth of understanding, this editorial collaboration constitutes a critical addition to the self-reflexive literature on museum history and practice, at the same time enlarging the history of photography as a field of study and shifting it onto a robust institutional plane.” ―Joan M. Schwartz, Professor, History of Photography, Queen's University, Kingston, Canada

“This book is a compilation of essays about collecting and curatorial practices unique to photographic collections. The editors argue that issues related to the technical, ephemeral, and serial qualities of photographs, along with the medium’s relatively short history, have led to their marginalization within museums, yet these collections are ‘increasingly being understood as knowledge-objects in their own right.’ An introductory chapter provides a theoretical and historical overview of the place of photographic collections in the museum setting. Developed as part of an international conference held in Leicester, England, and organized into five topical sections, the essays explore several notable photographic collections, the information value of photographs, the history of collecting photographs, and curatorial practices for photograph collections. Essays detailing how portrait photography solidified Charles Darwin’s professional network and aided his work on evolution, examining photographs documenting revolution in Cuba of the 1950s and 1960s, and creating images of the Maori people of New Zealand illustrate the breath of this volume. It will be of particular interest to students of photographic history and museum professionals. Summing Up: Recommended. Graduate, research, and professional collections.” -P. A. Mohr, independent scholar, CHOICE

About the Author

Elizabeth Edwards is Research Professor of Photographic History and Director of the Photographic History Research Centre, De Montfort University, Leicester, UK.

Christopher Morton is Curator of Photograph and Manuscript Collections at the Pitt Rivers Museum, Oxford, UK and Lecturer in Visual and Material Anthropology at the Institute of Social and Cultural Anthropology, University of Oxford, UK.

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[H792.Ebook] Free PDF Asking the Right Questions (11th Edition), by M. Neil Browne, Stuart M. Keeley

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Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis.  Specifically, this concise text teaches students to think critically by exploring the components of arguments--issues, conclusions, reasons, evidence, assumptions, language--and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication.  It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject. 

• Sales Rank: #3519 in Books
• Published on: 2014-01-06
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .60" w x 6.00" l, .0 pounds
• Binding: Paperback
• 192 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
ARE YOU TIRED OF PEOPLE IGNORING YOU???!?!?!
By katarina
Great book with insightful guides that will assist you in any conversation. Have you ever wondered why people don't understand your point, or take offense at your words? These authors break down the subtle, hidden meanings of words and phrases that we take for granted. We often have a thought in our own minds and assume that everyone else will understand our intent. However, WORDS MATTER!!! This small, and very readable book sheds light on how to get the most out of your words, and how to ensure that you are sending the message you intend. It also gives you ideas for determining whether information you are reading is missing relevant and important facts that would make it more clear, or more balanced. This prevents you from believing everything you read, and helps you to become a more critical reader.

18 of 26 people found the following review helpful.
Not Impressed
By Rachel B. Ramey (blogger/author)
I purchased this book because it was a required text for school, but I haven't been especially impressed. There is some good content here, but I think the writing style falls short of connecting with the most appropriate target audience, and it contains a number of logical flaws -- a pretty serious problem in a book about reasoning.

From the start, the authors begin with the assumption that the reader will CARE about applying critical thinking to his life. This is probably a safe assumption for a book that is picked up off the shelf by the average reader, it may or may not be a reasonable assumption for a book that is used primarily as a required text. (They do give a nod to this discrepancy about halfway through the book, but it would have been more effective, in my opinion, to have solidly argued the benefits of critical thinking in the very beginning.)

I tend to think pretty critically by nature, and I still found much of this book hard to follow. The examples use a weird "stream of consciousness" style to show the expected thought processes, rather than simply showing the argument as it's presented and the elements of the argument properly broken down. This whole approach, as well as the general presentation style in many of the sections, imparts a sort of "fuzziness" to the whole thing -- at least for me -- that stands in stark contrast to well-defined logic/critical thought.

Worse still, the authors' own logic fails at a number of points. I didn't make note of all the instances as I went along. Most were fairly minor. But the very first example given in the section about identifying logical fallacies incorporates an egregious fallacy. A passage is presented, and the conclusion and two reasons are then broken out in the authors' own words. However, the authors commit a "straw man" fallacy (arguing against an argument DIFFERENT from that which the original author made), by rewording the original passage to state a " reason" that is other than what the original said. As a result, their evaluation of the argument is to throw it out as fallacious on the basis of a descriptive assumption that directly contradicts what the actual argument WAS.

Errors like these are unfortunate in any academic text; they're unforgivable in a text whose entire purpose is the teaching of critical thinking.

It doesn't get any better, either. Nearly every example of a fallacy is questionable, at best (a real shame, since there are plenty of highly-relevant examples available). This whole section makes me feel like the authors are merely trying to influence me to adopt their political/ideological worldview, because they consistently misrepresent the written arguments and, as a result, discount arguments on faulty bases. Many of the arguments DO contain faulty -- or at least WEAK -- reasoning, but it's not the legitimate weaknesses that are addressed, in most instances.

1 of 1 people found the following review helpful.
Definitely a great read to help improve ones critical thinking/leadership skills
By K.Gardner
This book is very information and very well written. I had to read this for a class I was taking but was engaged every minute of it. Definitely a great read to help improve ones critical thinking/leadership skills.

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• Sales Rank: #3054515 in Books
• Published on: 2010
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• Original language: French
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Eynat-Confino goes beyond the usual consideration of Craig’s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig’s idea of theater.

She draws not only on the research of contemporary Craig scholars but on material hitherto unavailable—his writings and daybooks and the writings of friends. She ties Craig’s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the über-­marionette, a giant puppet. Craig also invented the “Scene,” a kinetic stage, the “screens” that brought him worldwide fame were simply an adaptation of this concept.

Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig’s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring “friendliness—humor—love—ease—peace” to the world.

• Sales Rank: #3282563 in Books
• Brand: Brand: Southern Illinois University Press
• Published on: 1987-11-27
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.45 pounds
• Binding: Hardcover
• 256 pages

Features

• book, used book, books, usedbooks

About the Author

Irene Eynat-Confino is a free-lance writer, researcher, and theater consultant in Herzelia, Israel. She is now working on the meaning of the fantastic in modern Western theater.

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