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In this text, algebra and trigonometry are presented as a study of special classes of functions. In the process, relationships betwen theory and real-world applications are thoroughly explored, bringing the material to life. Suitable for a second-year course, a trigonometry course, or a pre-calculus course.

• Sales Rank: #158185 in Books
• Color: Red
• Brand: Prentice Hall
• Model: ISBN 0-13-165710-0
• Published on: 2005-05-15
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.80" h x 1.82" w x 7.75" l, 3.84 pounds
• Binding: Hardcover
• 1058 pages

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• Sales Rank: #382906 in Books
• Brand: Hal Leonard
• Model: 701119
• Published on: 2009-01-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .20" w x 9.00" l, .54 pounds
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• 56 pages

Features

• Book & CD Pages: 56
• Pink Floyd
• Format Book & 2 CDs

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In addition to contributing to the understanding of why people buy things, this book considers how products, services, and consumption activities contribute to the broader social world we experience. Consumer Behavior: In Fashion, Second Edition not only probes the psyche of the American consumer, but considers the multicultural perspectives of consumers from around the world. Models of consumer behavior underscore the complex interrelationships between the individual consumer and his/her social reality. Fashion and Interior Designers

• Sales Rank: #201823 in Books
• Published on: 2008-08-09
• Original language: English
• Number of items: 1
• Dimensions: 9.80" h x 1.40" w x 7.80" l, 2.70 pounds
• Binding: Paperback
• 600 pages

From the Back Cover

Fashion is a driving force that shapes the way we live—it influences apparel, hairstyles, art, food, cosmetics, cars, music, toys, furniture, and many other aspects of our daily lives that we often take for granted. Fashion is a major component of popular culture—one that is everchanging. With a solid base in social science, and in economic and marketing research, Consumer Behavior: In Fashion provides a comprehensive analysis of today's fashion consumer. Up-to-date, thought-provoking information is presented in an engaging everyday context that helps students, business people and scholars understand how fashion shapes the everyday world of consumers.

Among other special features, this comprehensive text:

• Starts each chapter with a consumer scenario used to analyze concepts covered in the chapter
• Relates consumer behavior concepts specifically to fashion products and processes
• Integrates the rapidly-evolving domain of fashion e-commerce
• Uses numerous fashion ads to explore how fashion companies attempt to communicate with their markets
• Includes both a marketing and consumer approach to the business of fashion
• Highlights both good and bad aspects of fashion marketing and offers a chapter on consumer and business ethics, social responsibility, and environmental issues
• Includes a chapter on consumer protection by business, government, and independent agencies

About the Author
Michael R. Solomon, Ph.D., is Professor of Marketing and Director of the Center for Consumer Research in the Haub School of Business at Saint Joseph s University, Philadelphia, USA.

San Francisco State University

Excerpt. © Reprinted by permission. All rights reserved.

Our fascination with the everyday activities of people inspired us to write this book. The field of consumer behavior is the study of how our world is influenced by the actions of marketers and, at the same time, how marketers are influenced by us. At times fashion is created and dictated to consumers by retailers and influentials: consider the "What's In and What's Out" sections of fashion magazines! On the other hand, we see retailers and manufacturers struggling to predict what we will want to buy six months from now. Fashion forecasting is, in a sense, a science; but it's more of an art, and many successful marketing gurus have missed the boat on more than one fashion phenomenon.

Fashion is a driving force that shapes the way we live—it influences our apparel, hairstyles, art, food, cosmetics, cars, music, toys, furniture, and many other aspects of our daily lives that we often take for granted. Fashion is a major component of popular culture and one that is ever changing. Fashion touches most of us on a continual basis. We may be unaware of the introduction of a new fashion, but all of a sudden our eyeglasses, clothes, shoes, and even kitchen appliances start to look dated and old-fashioned. Looking back through old pictures and watching old TV shows, by sharp contrast, brings current fashion into view. Like a fish immersed in water, we are often unaware of our everchanging environment. The fashion industry has always been dynamic and fast-moving, but it faces an even greater rate of change in the new millennium." Consumers will find themselves buying fashion in many new ways in the future, including via the Internet. Information and technology will take on new importance. We already see the beginning of customized apparel for the masses. These changes will affect how we buy fashion and how we react to the marketplace.

In many classes students are passive observers learning about topics that affect them indirectly. But fashion concepts affect us directly, especially our students who work in retail and who sell fashion. They are the experts on what's in and what's out, and they are keenly aware of changes that occur on a continual basis—the lifeblood of the fashion industry. Students should have no trouble supplying their own up-to-the-minute examples to support many of the concepts they will read about in this book. Research and Consumer Focus

Results of many research studies are used throughout this text to illustrate marketing and consumer behavior theories and concepts as applied to fashion and to further the reader's understanding of how fashion shapes the everyday world of consumers. A marketing perspective is used, with the goal of understanding why consumers behave as they do and how to identify their needs, with the ultimate goal of maximizing company profits. However, it is also important not to forget the impact the marketplace has on the consumer. Therefore, a perspective of the consumer's well-being is also presented throughout this book. We believe that students going into retailing and marketing need to enter the field with a humanitarian perspective. Who looks out for the consumer's well-being and for that of the environment today? Laws are established to protect consumers—maybe more than they want sometimes, and maybe more than business wants also. Chapter 14, "Ethics, Social Responsibility, and Environmental Issues," and chapter 15, "The Role of Government and Business in Consumer Protection,' especially address the effects of marketing on the consumer. They review laws and practices that watch out for the consumer, that help prevent abuse by businesses, and that provide information and help to the consumer.

Many research opportunities for students are listed in the discussion section at the end of each chapter. Some former student project results are given in this book; we hope to have more in the future! Acknowledgments

Many colleagues have made significant contributions to this book. We are grateful for the many helpful comments provided by the peer reviewers: Hanna Hall, Kent State University; Linda Welters, University of Rhode Island; Margaret Rucker, University of California, Davis; Tammy Kinley, University of North Texas; and Kimberly Miller, University of Kentucky.

Thanks go to the professional editors at Prentice Hall for all their help in procuring permissions for the artwork and handling the myriad details involved in turning a manuscript into a book.

Also, thanks to our students, who have been a prime source of inspiration, examples, and feedback. The satisfaction derived from teaching was a prime motivation for the writing of this book.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Book Arrived In Poor Condition: Content Is Fine Otherwise
By Vanessa
Note: This review is based on the condition I received it upon. The book arrived with the binding detached from the book.
My advice to anyone who rents textbook: PLEASE try to select a textbook based on better condition instead of a cheaper price. The cheaper, the poorer condition the book will be when you receive it. I will post pictures for proof.

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-- Film Quarterly

• Sales Rank: #664847 in Books
• Published on: 1985-04-15
• Released on: 1985-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.08" w x 5.75" l, 1.37 pounds
• Binding: Paperback
• 462 pages

Review

An extremely useful and wide-ranging collection of essays devoted to a topic often ignored or taken for granted by visually-dominated studies of the moving picture...

(Gerald Mast, University of Chicago)

Both comprehensive in its choice of readings and creative in its editorial approach... Film Sound, as well as being an eminent introduction to the writings in the field, forcefully demonstrates the need for the study of the media to be both textually and institutionally grounded, and both theoretically and historically informed.

(Richard Allen Framework)

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(Journal of Popular Film and Television)

Film Sound is a pleasure to read. In addition, the book's general organization and range of selections present an accurate summary of the development of film sound and attitudes toward it from the late twenties to the eighties. For anyone interested in finding ways out of the present theoretical confusion, Film Sound is an excellent place to start.

(Film Quarterly)

Convincingly suggests that an exciting new field has been opened up, one that may well come to determine the way we look at the cinema as a whole.... [Film Sound] pays attention to the new technologies as they affect not only the cinema but also how we come to view its history.

(Sight and Sound)

From the Back Cover
The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

About the Author

Elisabeth Weis is professor of film at Brooklyn College and the Graduate Center of the City University of New York and executive director of the National Society of Film Critics. She has written or edited books on sound, comedy, and star acting. John Belton is professor of English and film at Rutgers University and the author of five books, including Widescreen Cinema, winner of the Kraszna-Krausz prize for books on the moving image, and American Cinema/American Culture, a textbook accompanying the PBS series American Cinema. He has also edited three books, including Alfred Hitchcock's Rear Window, and is associate editor of the journal Film History.

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By T. Nicholas
I got this book because after 4 years of film school, I still felt as if I had been shortchanged when it came to learning sound design. I had been taught how to record and edit sound, been taught how to do ADR, been taught all the different types of microphones; but I still didn't know WHY to use one type of microphone over another, WHY using an omnidirectional, or a shotgun, or a lavalier mic would change the feel of a scene (and how this would in turn change depending on whether that sound was being matched with a closeup or a long shot). In short, I was never taught the aesthetic significance behind any of the options I was presented with. My formal education on the topic had been entirely technical. As the editors make clear in the preface to this anthology, it was their attempt to compile a book "addressed to aestheticians rather than technicians." At this they've done an incredible job.

The scope is broad - covering theory, practice, history, as well as the technological side - different essays focusing on individual films, directors, genres, historical periods or the medium as a whole. The viewpoints of the authors are also as diverse as anything you'll find in film studies generally, ranging from Marxist, formalist and psychoanalytic analysis to more straightforward historical or technical writing.

As a filmmaker, this book has been eye opening (or should I say ear opening?). For the first time I am finally able to think about sound design in the same way that I think about any other element of a film. Since starting to read the book, I've paid more attention to the sound design in all of the films I've watched.

This book was written in 1985. No doubt does this mean that innovations in the field since 1985 (most notably the dawn of digital editing and sound mixing) are left out from the book. But even so, if you are a filmmaker who is looking to gain some insight into what film sound is all about, this is an excellent place to start.

10 of 20 people found the following review helpful.
Table of Contents
By Curupira
Part I. History, Technology, and Aesthetics

Introduction
The Coming of Sound: Technological Change in the American Film Industry, by Douglas Gomery
Economic Struggle and Hollywood Imperialism: Europe Converts to Sound, by Douglas Gomery
Film Style and Technology in the Thirties: Sound, by Barry Salt
The Evolution of Sound Technology, by Rick Altman
Ideology and the Practice of Sound Editing and Mixing, by Mary Ann Doane
Technology and Aesthetics of Film Sound, by John Belton

Part II: Theory

Section 1: Classical Sound Theory
A Statement, by S. M. Eisenstein, V. I. Pudovkin, and G. V. Alexandrov
Asynchronism as a Principle of Sound Film, by V. I. Pudovkin
The Art of Sound, by René Clair
Manifesto: Dialogue on Sound, by Basil Wright and B. Vivian Braun
Sound in Films, by Alberto Cavalcanti
A New Laocoön: Artistic Composites and the Talking Film, by Rudolph Arnheim
Theory of Film: Sound, by Bela Balazs
Dialogue and Sound, by Siegfried Kracauer
Slow-Motion Sound, by Jean Epstein

Section 2: Modern Sound Theory
Notes on Sound, by Robert Bresson
Direct Sound: An Interview with, by Jean-Marie Straub and Danièle Huillet
Aural Objects, by Christian Metz
The Voice in the Cinema: The Articulation of Body and Space, by Mary Ann Doane

Part III: Practice

Section I: Practice and Methodology
Fundamental Aesthetics of Sound in the Cinema, by David Bordwell and Kristin Thompson
On the Structural Use of Sound, by Noël Burch

Section 2: Pioneers
The Movies Learn to Talk: Ernst Lubitsch, René Clair, and Rouben Mamoulian, by Arthur Knight
American Sound Films, 1926-1930,, by Ron Mottram
Applause: The Visual and Acoustic Landscape, by Lucy Fischer
Enthusiasm: From Kino-Eye to Radio Eye, by Lucy Fischer
Lang and Pabst: Paradigms for Early Sound Practice, by Noël Carroll
The Voice of Silence: Sound Style in John Stahl's Back Street, by Martin Rubin

Section 3: Stylists
Orson Welles' Use of Sound, by Penny Mintz
The Evolution of Hitchcock's Aural Style and Sound in The Birds, by Elisabeth Weis
The Sound Track of The Rules of the Game, by Michael Litle
Sound in Bresson's Mouchette, by Lindley Hanlon
Godard's Use of Sound, by Alan Williams
Section 4: Contemporary Innovators
Altman, Dolby, and the Second Sound Revolution, by Charles Schreger
Sound Mixing and Apocalypse Now: An Interview with Walter Murch, by Frank Paine
The Sound Designer, by Marc Mancini
Sound and Silence in Narrative and Nonnarrative Cinema, by Fred Camper

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The peaceful life in the Austrian Tyrol is disturbed by the threat of war. Soon it becomes clear that the school must close. When some of the girls at the Chalet School stand up against a Nazi crowd, they face terrible punishment and are forced to flee for their lives into Switzerland.

• Sales Rank: #12999730 in Books
• Published on: 2009-08-31
• Number of items: 1
• Dimensions: 7.48" h x .75" w x 5.08" l,
• Binding: Paperback

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0 of 1 people found the following review helpful.
One of my favourites
By A Customer
This book is one of my favourites. The Nazis occupy Austria and the Chalet School has to relocate.Many kids are pulled out of school. This is also the book where Joey gets married and becomes a Mommy. Read this book you will enjoy it too.

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• Sales Rank: #7719755 in Books
• Published on: 1609
• Binding: Paperback

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This book, by Alexander S. White, is a complete, clearly written guide to the operation of the Nikon Coolpix P900 digital camera. The book explains all shooting modes, menus, functions, and controls of this superzoom camera, accompanied by more than 350 full-color illustrations and sample photographs. The guide shows beginning and intermediate photographers how to use the camera's many options to get the results they want. The book explains topics such as autofocus, manual focus, HDR (High Dynamic Range) photography, ISO, memory cards, and flash modes. It includes a discussion of techniques for using the P900's phenomenal zoom lens, with a maximum optical focal length of 2000mm, to full advantage. The book also discusses the camera's features for image transfer and remote control through the P900's built-in Wi-Fi network, as well as its features for adding location data to images. The book includes sample images taken with the creative settings of the camera, including the Picture Control options, which alter the color processing of images; the Scene and Special Effects shooting modes, with settings optimized for subjects such as landscapes, birds, pets, sunsets, and action shots; and the camera's features for burst shooting and time-lapse photography. In addition, the book provides introductions to topics such as infrared photography, street photography, and macro photography. The book also explains the video features of the P900, which can shoot HD video with stereo sound and can record high-speed video at rates up to 4 times normal speed. In addition, the book describes procedures for playing back images and videos in the camera and for using the Filter Effects option to add special effects to images after they have been captured. In three appendices, the book discusses accessories for the Coolpix P900, including cases, external flash units, and charging and power options. The appendices include a list of useful web sites and other resources, as well as a section with "quick tips" to help users take advantage of the camera's features in the most efficient ways possible.

• Sales Rank: #495186 in Books
• Published on: 2015-06-22
• Original language: English
• Dimensions: 8.50" h x .68" w x 8.50" l, 1.35 pounds
• Binding: Paperback
• 252 pages

About the Author
Alexander S. White is the author of numerous guide books for advanced compact cameras, including models from Nikon, Sony, Fujifilm, Canon, Panasonic, and Leica. He lives near Richmond, Virginia, with his family.

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16 of 16 people found the following review helpful.
Vital guide to an amazing and brilliant camera
By Geoff Dolman
Both the Nikon Coolpix P900 and this book are kinda hard to review and rate. The camera is so complex, and Nikon has decided not to include a paper manual in a $600 camera that is now selling at MSRP, which I think is really shoddy -- there is plenty of room in the large box, and the idea of using a downloaded pdf that is massive is preposterous. How you gonna lug a computer around with your camera stuff? Well, all the information about this massively flexible camera is included in Mr. White's book. Particularly in the beginning, I found it hard to follow. For some reason, he begins with short discussions of the camera as it comes out of the box with enough settings to go out the door and shoot. But he does not really explore the entire setup menu until something like chapter 7. I would have moved it up much closer to the beginning. His chapters on the menus and features, once he got going, were really comprehensive and well-covered. There is really not any other choice at this point, so if you are looking for a comprehensive manual that covers the mammoth features and the few questionable decisions Nikon made (no raw files, apparent restriction on panoramas to only wide angle, for example). So while not the best organized camera book I have read and not the easiest to follow, this really does cover everything and earns the five stars, I think.
Addition 10/15: Many of the features and settings do not explain why Mr. White makes the suggested choices. Occasionally he does explain why, but, for the most part, this information is missing. This is in contrast to David Busch's books that always explain why he recommends his settings. Otherwise, this is a great book and essential for shooters who want to be able to make use of the amazing features of this amazing camera.

21 of 22 people found the following review helpful.
Great book for using a great camera!
By W. E. Matthews, III
I cannot say enough good about is book! I picked up one of the first P900's to hit Houston, TX right after the release date and have been having a blast learning how to use the camera to its best advantage. I had been reading the Nikon manual since before the launch and read it again after getting the camera. The Nikon manual is very helpful in understanding how to change settings, etc., but this book explains what the settings mean and the implications of using them. White gives useful examples with accompanying example pics. When you read the book, read the 200+ page Nikon manual along with it. If you buy a P900, be sure to buy this book!

14 of 14 people found the following review helpful.
but I found that the book explains many things better and in plain language
By Chris Hess
Although the book states that it's not a replacement for the official Nikon Coolpix P900 manual, but I found that the book explains many things better and in plain language. So, I found myself using this book more often than the official manual due to the ease of its use.

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